Wild ride Renga by Jilly and me. Hold on to your hats, and enjoy the creative process in the comments!
Author: qbit
Lives and works in NYC with wife and apartment-sized dog. (Wife is regular-sized of course...)
William Wordsworth: Parking Attendant, Weehawken, NJ
Lincoln might be in the Bardo – where spirits wait bewildered in their Rubber Room souls – But William Wordsworth is outside in my parking lot waltzing with language and cars – Foxtrots of Kias, nouns, and verbs, Fords and Acuras tango with adjectives – insensate and doleful dip and turn, While the drivers, like inmates of ballroom dance class, trip on overgrown iambic feet, hoofing to Glen Miller. In Spring he will gently blow adverbs and romance into pistils of foxglove, until magnolias faint in jealousy. For him, Death is no purgatory, no dotage, he is as lucid as yellow, as sharp as a blackbird quill plucked in flight, Far less bewildered than I between this world and the next – if he writes of eternity, it must be so – Poems to guide us with the half-life of Uranium 235 – fissile at room temperature – Nuclear reactions of sunrise breaking like egg yolk over the hillside – Ten thousand daisies runny with light.
For Shay’s Word Garden and TSM
Me/Her/Wind
I’m a tornado of bees, a cyclone of buzz and hum | |
You have more sharp turns than a toboggan of hornets | |
I’ll rattle your mullions, believe you me, love storm of the century. | |
The sky is seasick with hurricanes | |
We’re the full catastrophe, no atrophy | |
No apostrophe, no trophy | |
You ring in my ears like dynamite, like a fight between samba and flamenco | |
Oh Nagasaki, oh hot ginger, oh Ali‘s rhumba in the jungle | |
More fun than a barrel of mimes tipping over Niagara | |
You are handcuffed to wind, laughing about mortality | |
Eskimo my nose, my toes, cuddle is the new tundra | |
The windows leak ghosts, whistling for their supper | |
But this is a love poem, gorgeous with leaves turning cartwheels | |
Rain weeps through the cracks in my hands, wanders the damp maze of my bones |
For Shay’s Word Garden and TSM
First Light

86 That
Go ahead, tell your sob story to the spoon and the coffee cup, how your addiction to night sky started with poetry, the gateway drug, and now you are mainlining – shooting stars – your veins twinkling with broken bottles and shards of Christmas lights. Go on, lament to this plate of eggs and Tabasco the fate of words like tigers performing tricks with what's left of the magician's sleeve, or the sound of violins playing blackjack on their shoestrings, hit me. I listen to your sling, your hash, your blather spread on whole wheat or white, your second, or third, or fourth marriage to sonnets, to Surrealism, to Whitman, feeding the doggerel scraps under the table, stumbling down 12-steps into the void.
For Shay’s Word Garden and TSM
It Begins… (“Mistah Kurtz – he dead.”)
Seed words: bigmouth, charmer, coma, devil Write a dadaist poem
Bigmouth charmer in a coma, Devil's here to take us home. Bigmouth charmer with a frown, Devil's here to turn it upside down. Coma's taken over the night, Devil's here to show us the light. Bigmouth charmer in the sky, Devil's here to make us fly.
For Shay’s Word Garden
Combo Lock
There was a story I was supposed to tell
about you,
About the candor of your fingertips,
their dampness on my skin, like vapor.
Instead, I walk outside – pigeons coo
in chorus from a hymnal of trash,
Rats run touchdown plays
heading into the season finals,
The grass is panicked, white faced, chalky,
at the approach of winter,
Trees gasp for oxygen
as their leaves dry up and drop away.
What did you open when you tampered
with the locks, thumbing the dial, listening
With your ear on my chest
tumblers falling in place one by one?
Why did flocks of birds fly from me
heading south, leaving me without their voice?
Gusts whip cold off the river, I am wordless,
a windsock gag in my mouth.
You are thief, lover, explorer.
Dr. Livingstone, I presume?
For Shay’s Word Garden & The Sunday Muse
Notre Dame
Like you, I watched Notre Dame burn – a thousand years of prayer in the rafters feeding fires hotter than devotion, a millennia’s fervor of hands and fingers pressed together like a flame. “Our Mother” indeed. Though not mine. Nations did not watch, no helicopters overhead filmed what burned in her, how her brilliance consumed and engulfed the prayers of my family, all the wreckage once that light was out. What part of the flame, what color, what heat is insanity? The blue? The white? What raging fuel in the mind – timbers and rafters of the past? Gargoyles like whispering gas jets? They said when she was a girl on the ranch she built a shrine in a corner of the chicken yard and prayed to Jesus every day, on her knees in the dirt, before her brother honked the horn of the school bus he drove at 14. And we mourn. And for a moment together we all pray for something holy to rise back from the ashes. If not our souls, that the stones holding up our walls might be saved.
Originally here.
Where the Keys Are
I'm supposed to list my obsessions. OK, fine:
- The ferry maintenance depot near my apartment.
- The human body personified as root vegetables – potatoes, turnips, rutabagas.
- I can’t remember Jack Shit, though I’ve met him often enough.
Mostly the last one – it's like trolls under the bridge have custody of my memory. Pay the fee in princess skin or thou shalt not pass. I look in my wallet, but no Ben Franklin. That look of his makes me think he feels sultry in his lingerie, hidden under his coat. I feel pretty too, Ben.
Maybe my missing to-do lists and kodak moments are lost in a time warp – if we rip the veneer of space away will we expose its mechanism, its springs and bomb wires? What if lost time is a pendulum swinging in the clock case with its balls cut off – fixed like a steer so it can't reproduce. Or memory baked into adobe bricks, daubed with mud, stacked into walls in reenactments of the Alamo, where we always lose.
Someone said it’s the journey, not the destination, blah blah blah. I feel miles itchy with distance under my skin, yet the tundra of my kneecaps and knuckles are insurmountable. The rocks quit, the mountains quit, even the pavement quits before it ends down the block. With light pollution the milky way is only a candy bar. Nowhere to go from here.
Just once, contemplate Powell in 1869 – shooting the fevered waters of the Colorado river in wooden boats. Make the shift from your first gear to fifth, fourteenth, infinity. From darkness to light to fugue to black holes that leave you breathless on a far shore.
For Shay’s Word Garden and The Sunday Muse
Veteran
Rue de Rivoli – "It's you! Assassin! Mon frère!
Ah, we were but children when we joined the Legion,
marching from Algiers under Rollet – 'Honneur et Fidélité,' eh?
You, brave flower, fighting like a tiger in the alleyways,
and me, bragging open brothel doors.
The Devil or God (And which is which, in the desert?)
a coward when we blindfolded him,
rag carnation in his mouth,
we shot him with our Berthiers,
bolt-actions genuflecting in the sun.
Did we sin? We were fools!
We ate our bitter hearts out in that desert,
boiled our souls with thorns and thickets.
Riders with wind and sand rasping between our saddles and thighs…
Oh the melody they make – say it! Sirocco!
Now, over there, to your left, Diguet and his Montagnards
who gave so much blood at Tuyên Quang,
'Français par le sang versé.'
Now I merely puzzle the streets of Paris,
a toad who buries himself in cafes.
You say you garden now? Shadows of songbirds
against the barn, netting and dressing them
for your pies.
Here! Violets for your dear wife. Tomorrow it will rain.
Treat your blindness with care. Adieu!"
For Shay’s Word Garden and The Sunday Muse