Big Mouth Billy Bass

A few feet under the waves
the old sea bass slow-dances aimlessly
to hoary classic rock radio
from the boat stereo

Dragged up from the deep,
wireline, song, and fish
draped with shrouds of seaweed,
mouthing Time in a Bottle like cargo

with its last breath
before I slit it belly to gills,
viscera and maybe my soul
lobotomized circa 1972

spill out on the deck –
mouths a few final words –
Sympathy For the Devil,
an understated “I’ll see you in hell.”

When you and I talked later,
over lovely fish tacos, you apologized,
said you would rather dance
on my grave

In cherished joy
than sing to a boomer box
casket
at my funeral.

So then call my ashes to account from a boat –
Boogie down in the bow,
Rock n' Roll with the waves,
Twist and Shout

as a knife of sun
mirrors off the water
slits you
belly to throat

For Shay’s Word Garden

Big Mouth Billy Bass

Pat Sajak Spins the Dreamcatcher

Pat Sajak spins the Dreamcatcher –
God egging him on, what the hell,
who can never get enough of playing dice
with the universe,
the Wheel of Fortune stutters

Broken Faith
Delicious Kisses
Imagined Truths
Death & Taxes

Because it isn’t a dream at all,
life is scrambled like a channel clicking
through the Shopping Network
and CSI Miami
except it’s a losing game of hangman –
Let’s Make a Deal –
the Devil holds sway

Because that was always
how it was going to end –
Vanna’s not going to save us,
descend like an Archangel
in a technicolor dream coat,
hair like wings of fire –

The letters turn one by one
and spell our fate.

For Shay’s Word Garden

Deus Ex Machina

You know how it is when you stand in front of 7-Eleven 
in New Jersey, scarfing a jalapeño hot dog for breakfast,
ketchup and relish dripping between your fingers

Don’t you “Eeeew!” me! The Eighth
Day of Creation was the Lord’s Jalapeño Hot Dog Day
along with Slim Jim and a Mountain Dew Day

I think which comes after Things That Crawl Day,
which is maybe after Fish, I forget my Bible,
I forget too, how to count pennies with my remaining hand

The one left after my Old Testament punishment – whack! –
for my theft of this beautiful morning, for living by the sword,
for my heresy denying Da Word

And we don’t really do pennies anymore, do we? Has anyone
told Charon? Is there an App for that? "Go to RiverStyx.com
book your crossing now." SMS charges may apply –

Please respond "Y" if we are all dying, "N" to Opt out.
Instead, I rant like a monk at Matins or Lauds
in the holy early hours of an ExxonMobil Tiger Mart parking lot –

Cash register bells ringing, incense smell of fuel,
transubstantiation’s promise in donuts and coffee:
eat, this is my body, drink, this is my blood

Overdosed on haunted Latin from the Vulgate, St. Jerome 382 A.D.
cruising into the Lincoln Tunnel's cathedral maw before dawn,
a cop high up in his glass box the celebrant Pope blessing cars,

Healing traffic by laying on of horns –
All together now, under the river, we deprive Charon his due
but pay the toll nonetheless,

Tarmac lifts us back up into the world, we are risen,
Manhattan split down 42nd street, dripping light,
cross streets hung with thieves.

For Shay’s Word Garden

Goose Hour

After Robert Lowell

It's sunset – steel and glass Manhattan towers
clutched in long-thorn rose bouquets,
pilots waggle tour helicopters
like bees doing flower-find dances

Sniffing pollen-dollars off tourist cash ATM’s
and eyeing skyscraper penthouse stamens,
a restless insect stutter seeks the city’s
crumbs of neon and noise –

Me, across the river, flotsam,
a shadow cast upon the shore,
I'm an old dog, no new tricks – nothing
up my sleeve, no sleeve in this heat

Salvadoran guy teaches new fish an old trick
with rod and rubber worms,
Elton John's old/new remix bleats on repeat
Rocket man to the moon boom-or-bust box

The nasty old goose has learned a new trick –
snap-popped my new dog’s nose
from safety behind iron railings,
beak, a prize-fighter’s jab and cover

The goose has fire and spark in her eyes,
trembles in defense of her young,
sweet feral dog wants to kill the goslings,
no cure for newest fight in oldest struggle

What do we take from this world
by force or guile, by grift, or flight, or fight?
The goose stands her ground, lances again
through the bars, will not scare.

For Shay’s Word Garden

The Camero

We named the constellation west of Ursa Major The Camero
because we could feel its starry-eyed engine humming
in the dark, freeway between Boulder and the Big Dipper
wide open, no limit other than the speed of light

Where else could we go, we were children really
the sky costing us nothing, our thumbs out to hitch a ride
on the next comet or Sputnik or beater 2-door
heading back down the mountain to our one-room whirling galaxy

Where ball-lightning shot down the wall and scorched the floor,
no surprise to us really, only to be expected
from the fire we shaped in our hands, ragged flash and bang
bridging the earth and sky, your skin smelled like creosote

And still does, our returning so many years later all roads beginning
and leading back here, all starlight sparked and bending
through the universe back here, gravity, every stroke of lightning
every storm leaving rainwater where I swing you over pools

Of light and dark, every
time we hear that
engine rumble
overhead

For Shay’s Word Garden

Six Six Six Train

Like you, I depend on the kindness of zombies –
they share their bandages and a smoke with me
down here in the subway – our boxcars of the undead
on Monday morning, stereo
boombox trains coming and going.

Should I enlist the rats to help clean my wounds?
gnaw away the necrotic pizza crusts
falling from the trash bin of my soul?
Debride the brightly colored M&Ms
that look like candy but bring no solace.

Is there forgiveness or salvation
this far underground,
six feet times six feet under,
the six train running on the third rail,
Lexington Ave local the sign of the beast?

Let us say our prayers then, you and I,
kneel on the platform with the banker and the zealot –
those who washed with soap today,
and those who baptized their sins
with vodka.

For Shay’s Word Garden

Quake Time

It was early, but my day 
was in the can –
shiny and sealed and ready to be shelved –

when the world
punched through
its tin

The ground began
to gear and turn,
the floor pry open –

Earthquake in New Jersey –
where all the heartbreak
and forbidden highs

have festered, dormant,
a tectonic release
of waitresses in diners,

sloppy love in the parking lot
of the Vince Lombardi
Truck Stop.

Our dogs blasé, Jersey girls
after all. I open my phone to Spam,
its potted meat of memes

But nothing that can contain
our release, our moment –
our Dinty-Moore botulism

Swelling past the point of explosion –
enough fracked hair
to fissure rock,

more attitude
than even the earth
can bear.

For Shay’s Word Garden

MWA 1951-2024

After Lorca – Of the Dark Doves

The night you died
there were two stones
in the kitchen
One was a wolf
one was a cat
One had its throat in the grave
one was twice as sorry
There are three ceremonies
a chamber where ash is asleep
and a jar of blood
Slicked, I slip on pearls
you rolled like dice
before heaven’s gate
before swine
Your last words to me
two stones fatted for sacrifice
Two calves
with stones in their throats
You were three times prodigal
then you were none
Wine poured slick like blood
cut from a howl
I am a wolf at your grave
without a voice
Two times you died
One was a sorrow
and both were none

For Shay’s Word Garden & Ruby Tuesday

Spice Travel

After my leftover fish 
exploded in the microwave
like a rover crash-landing
on the furnace of Venus,

still hungry,
I sent a deep space probe
to the nether reaches
of the refrigerator.

What is that growing, glowing nebulae
back there
in the vegetable drawer?
Alien life!

Potatoes sprout eyes that ogle carrots
with bad intent,
kale uttering in accents
the vernacular of dirt.

Tabby cat mushrooms
curled up asleep,
manic beets fantasizing
Broadway success.

Spinach blindfolded and
walking the plank
Into Popeye’s
waiting mouth.

And the fruit!
Pear leopards pouncing
on blueberries
madder than hatters,

clementines
mixing metaphors
and recipes
for disaster.

As the door swings closed
rage, rage against the dying of the light!
Oh ye broccoli of stalks,
ye Brusselsed sprouts –

Abandon hope
all ye who enter here.
The spice man cometh.
Oh yes, oh yes he does.

For Shay’s Word Garden

(With apologies to Dylan Thomas, Dante Alighieri, and Eugene O’Neill).

Walkie-Talkie

My old mercury tooth-fillings
are antennae the exact radio frequency of Howdy Doody
and Home on the Range cowboy stations
out of Durango, signals bouncing
madness from the ionosphere into my jaw.

The Science Lady tells us bull elephant tusks
and buffalo horns
resonate with satellites,
GPS sending them howling 
in stampede Sputnik frenzies.

Blue whale ribs
channel Fipper reruns –
that chortling song on deep sea recordings
are laugh tracks sounding
until all is darkness in the Mariana Trench.

Creatures with drowsy engines upside down
playing trombone bones, playing the bones bones,
nuclear test TV patterns spread their
Hiroshima wings –
I dream of Jeannie.

Yet remember our awe at that flight of the gannets? 
Thousands-upon-thousands wireline seabirds horizon-to-horizon,
returning to their single rock in Novia Scotia –
a nanometer silica of longitude & latitude
nesting between the waves.

What God do they know that I do not?
I who stumble home, not by Creation's let there be light,
but by a tin voice in my pocket –
"You have arrived at your destination."
when nothing could be further from the truth.

For Shay’s Word Garden