nothing left for this morning
but a “Yo!”-ga sun greeting,

followed by a sideways dog leg-lift,
Pooch Pose by the side of the road

today we’re juiced for a blue-cleanse
to wipe the walls off our eyes

life is a bleach when it’s time to detox
with Clorox sacrament, this is my blood

this is my body, stations of the cross-wired
graffitto: messages of hope

sprayed across the way of sorrows,
my neighbor a Judas coming too near

if I can’t get a haircut soon
I’m gonna look like Jesus

and you’re gonna look like Jesus
and she will fix upon me crucifix eyes

when this has all blown over
like Hiroshima and Nagasaki

For The Sunday Muse

on the last day because we were poets
we came home late and lit a match
to our cash in a cereal bowl
like burnt offerings for the Wheaties god of 3AM
chanting “star light, star bright,
it’s Benjamins I burn tonight”
and reading Usura from Pound’s Cantos
because you can’t eat a Kuggerand –
I know, I tried
to put the gold they extracted in the camps
back into my teeth
what’s the point of the end of the world
if two herons take flight from the far side
of the pond outside from my window
mocking me with slanderous elegance

For The Sunday Muse

it’s insane I want to bite
the fire-roasted apple of you,
my teeth breaking the char,
the crust, of your tasty your
sweet boiling

fruit of knowledge burnt
by meteor flight,
still smoking, still glowing
under all that dirt you kicked up
ejecta, trajectory, projecting

radiance like lava
under ash, I want to
drink what is molten in you,
quaff my cool thirst
in your fire

For The Sunday Muse

Let’s do the hang in your grudge gallery –
that marble nausoleum where we all

Frame, gild, and geld our hurt,
preserve our trophy bruises

Under halogen lighting like glitter
of broken glass.

Your panoramic grievances – Waterloo,
you glory-horsed Napoleon you!

Or that day you bravely crossed the street
like Washington crossing the Delaware.

Show me your modern art of insults
more pointed than mustachios,

Your curated vandalism, subway car panels
grifted and tattooed,

And your Renaissance room’s priceless Titian –
taking Jesus down from the cross.

But it’s closing time,
and my feet are tired.

The guidebook says tomorrow
we should visit the zoo.

For The Sunday Muse

Where the buffalo roam
and she’s Wild Bill Hickok, crack shot
bringing down that damn piano –
hairy beast of a grand, grazing
in her living room, taking
more space than its huge eyes

The Cowgirl a different tune
from The Opera Singer,
my parents not a duet, just her
singing Home on the Range
on the Naugahyde pony she roped
and branded and broke from Sears

His voice a cold Norse sea,
piano his Viking long boat
raiding notes and throwing Lieder
to the shark Valkyries
feeding under its shadow,
a funeral barge burning in the harbor

I try to smile, gap-toothed child –
empty spaces for black keys –
my tongue tickling holes
between the ivories,
searching to fill all the
missing notes

For The Sunday Muse

Can you wolf-whistle Dixie
with your fangs sunk deep
in the South?

A mouth full of fur and grits
stuffs my howl with mumbling
yes ma’am, no ma’am

as the house blew down
when my Grandfather’s heart
huffed and puffed its last,

my Grandmother
red riding hoodwinked
into the woods of East Tennessee,

Southern Gothic from before Grimm
hunts down the False Grandmother –
La Finta Nonna –

where the wolf leaves
the Grandmother’s blood and meat
for the girl to eat

and says remove her clothing
and toss it into the fire,
but it’s a boy this time, it’s me

riding shotgun
where the dirt road narrowed
to two ruts by the bend in the river,

an animal stalking
the words for rage,
holding perfectly still

like morning mist
in the bottom
of the holler.

For The Sunday Muse